A quarterly of screen
& serial form.
The Union Review is a small editorial publication examining streaming, theatrical cinema, and long-form serial production. Open access. Issued at no cost. Read at considered leisure.
An Observation on Netflix and the Twenty-Billion-Dollar Question
Two Best Picture nominations. A two-decade-high in cinematic ambition. We consider the slate the streamer has earned the attention with, and ten films…
A Note on Prime Video and the Quietest Quarter in Streaming
Amazon's video service is rarely subject to scholarly examination. We argue this is a category error. Its 2026 slate has the highest rate of completio…
On JioHotstar and the Indian Streaming Library, One Year After the Merger
Three hundred thousand hours. Nineteen languages. One year after the Disney+ Hotstar / JioCinema consolidation, the Indian market has a single library…
A Commentary on Apple TV+ and the Boutique Method
The smallest library in the trade. The highest critic-score-to-show ratio. Six years on, the strategy that was widely mocked at launch has settled int…
A Survey of the 2026 Theatrical Calendar
Christopher Nolan adapting Homer in July. The Russos returning to the MCU and Villeneuve closing the Dune trilogy on 18 December — both. A Tom Holland…
Bollywood in 2026 — Six Cases for the Theatrical Recovery
Three auteur projects swinging at cinema-event status. Three franchise sequels making the safer play. Between them, the biggest Hindi theatrical year …
A Roundup of the 2026 Documentary Form
Streaming has been transformative for the documentary. Budgets have climbed. Cinematography has sharpened. The 2026 slate is the deepest of the decade…
A Paper on the Hindi Web Series and Its Recovery
After a quieter 2025, the Hindi web series is in its strongest creative shape since the Sacred Games / Mirzapur era. We consider the five productions …
Observations on K-Drama as a Permanent Cultural Export
Three years after Netflix announced its $2.5B Korean commitment, the cultural numbers have settled the argument. Squid Game franchised. The Glory buil…
Issued slowly. Edited at length.
Open to all readers.
No sponsored work. No affiliate links. No subscription. A serious, slow examination of the screen industries — issued at no cost to the reader.
The editorial line